Friday, December 11, 2015

Final Project - A Short Documentary

                                                   Chinese Symphony

Logline: Chinese Symphony is a short film about Chinese immigrants in New York.

Project Summary
New York is a favorite city of Chinese immigrants. Chinatown is a lively neighborhood, full of Chinese food and culture. Strolling on streets in the Chinese neighborhood, I followed my eyes and documented the moment that attracted me and go deeper to look inside what is traditional Chinese culture.
The Chinese is a deeper connotation of a nation because of its 5,000 years civilization. Regardless of their food or decoration, all have their roots. Temple, statue, meditation and Chinese medicine, they are the essence of traditional Chinese culture. Traditional Chinese culture focuses on the individual’s ethic and morality, seeking harmony between man and the universe. Meditation is my favor. Taoism states that our human body is a small universe. I believe that I can connect to the universe through sitting meditation. When I am doing meditation deeply to reach tranquility, I feel that I have blended with the universe.

Background
As a Chinese immigrant, I love Chinatown and know Chinese people very well. I captured featuring scenes of city life to show the spirit and characteristic of the Chinese people, whereby it is reflective of my self-identification. Throughout Chinese medicine and meditation, I appear how rich Chinatown is in history and culture.

Final Project Post - Intro to Heroes

 

When this project presented me the opportunity to approach comic books with a critical view, having learned so much about identifying critiquing and challenging ideas of inequality throughout the semester; I became excited about the prospect of seeing comics through a new perspective. I ended up reading many titles that I had never heard of, or outright dismissed, and enjoyed them. I certainly challenged my own prejudices and realized some of my biases when it comes to comics and other media. My biggest takeaway is that good stories wear different disguises, and that people from all ages and walks of life can learn from each other's stories.




The main reason I took this topic was because, as a comic book consumer, I have been seeing a trend of inclusiveness in the characterizations from the big publishers in the last couple years. Most noteworthy were Dr Jane Foster's official transformation to Thor, Carol Danvers taking the mantle of Captain Marvel, and Midnighter headlining his own monthly title. On the surface it seemed exciting, they were trying to appeal to more people, or maybe sell comic books to more -kinds- of people? But that didn't seem so bad in either case. I was curious to know more so I studied a bunch of titles and some sales figures to see if the hype was for real.

 For Presentation: Sales Research


Defining the process was my first challenge. I started to notice that reading one issue sometimes wasn't enough to get a sense of the book's value. For some I read a 4 or 5 issue arc, and I found those more enjoyable. Another challenge was the lack of good research. After I had enjoyed a bunch of different series, I began to wonder if these books, however good they might be, were actually considered successful or if people were even reading them. Most of these series are brand new, and I hadn't even heard of some of them before. I could not find any research on comic book sales based on gender, although I'm sure something exists out there that would make the research information better.

 
Since I could only read so many comic titles in the last couple months, I found that it was easiest to focus my blog on introducing readers to titles. This way I could give a brief explanation of the series, enough to give someone the premise and a sense of the artwork, but without spoiling anything. Intros were the best way to get the most information out about different titles. Ultimately I would improve the project by doing better quality of research, and finding a way to integrate that research in the blog's information.

Blog Link: intro to heroes


Once I finish reading more titles, and have more consistency in the titles I read weekly (when i finally catch up) I will expand the focus to more than just series, and also highlight writers and artists as well. I read a larger variety of comics than ever in a short time and I feel better for it, it has helped me discover new writers to follow and also to better understand the importance of representation.


 Jessie Reyes | MEDIA 38400 | Women & the Media | Fall 2015

A World Without Planned Parenthood

I remember a few months ago I watched a video parodying the kind of outrage that Planned Parenthood receives on a daily basis. While portraying a very dark, angry feeling about the organization, the remarks however were talking about the positive things patients experienced, in which lies the humor. The video was posted by the YouTube channel, Funny or Die, and it is called, The Shocking Truth About Planned Parenthood.
The video made me feel very disturbed that people out there do not see Planned Parenthood as not only a necessity, but as a huge benefit for the lives of so many, and not just women. Currently, there are far fewer locations for Planned Parenthood in order to fully provide for all the people who could benefit from their services. So, while I realize some people already deal with not having Planned Parenthood as an option for healthcare services, there are so many other people who go to these clinics and would suffer physically, mentally, and financially without their existence.
            What I thought would be a good idea to demonstrate the effect of not being able to turn to Planned Parenthood, would be a video of several situations in which people have no where to turn to. These situations are based off of real life experiences of people who were able to have their problems solved or mediated through Planned Parenthood’s intervention.

           While I would have loved to include more situations, and a larger variety of people of different races, genders, and sexualities, I was able to nonetheless create a video portraying several kinds of problems people go to Planned Parenthood for help with. The things that Planned Parenthood provides for its patients, that I have included in my video are breast exams and referrals for mammograms, birth control pills, access to condoms, exams for STD’s and STI’s, and family practice services.

Project:





Works Cited: 




Stories Based on the Experiences Found Here : 



The Serving Experience


“Any tipped employee, male or female, is on a stage… [Servers] have to act in a certain way in order to receive those tips. That being said,  that opens an opportunity for women and men in the industry to feel that they have to accept certain levels of harassment – be it sexual or any form of rude behavior for guests” (Dr. Miranda Kitterlin).




            I have been in the service industry for about four and a half years now, where three of those years, I was a server. I had spent my first year, at the job I still work at today, as a front desk employee. To become a server, at first, was a very difficult thing to do. Behind the desk you had authority, you have the ability to say no. So when the answer is always supposed to be yes, the first thing you lose as a server is autonomy. On a daily basis servers are touched, yelled at, glared at, ignored, hit on, or talked down to by their customers and/or management. I wanted to create this video as a commentary of the server/bartender experience that the mass public typically does not hear about.


The value of the service industry is that it is always the customer first and you second. You are serving someone else, which by definition puts them in a higher place than you are. Corporations are still able to pay servers, bartenders, bussers, runners, sub-minimum wage. Thus, a waitress needs the consumer to get paid, and through creating this paradigm, needs to provide good service in order to get paid well. But what is good service? Good service is defined by the customer in charge. Katherine, within the video, states, “…like a relationship with these people… and they have to like you, because your entire tab depends on it. It could be a five hundred dollar tab, and if they decided you weren’t competent, or maybe that you were, but they just didn’t like you, then your tip will suffer.” Freelance journalist and public interest attorney, Jean Stevens, writes “Service does not determine the size of a tip; rather numerous factors related to gender, a pleasing appearance, and friendliness do.” The video works to delve into those topics. Brianah discusses the way she feels she must act in order to get tipped. Frances highlights that fact that people often will ask to speak to a manager if she doesn’t talk to them in a bubbly and cheerful way. Timothy discusses the way men treat him because he is a gay-male server. In that there are only minimal instances where a customer takes the harassment too far to get kicked out, a server is dealing with the other 99% of the subjugation which is acceptable within this industry. In the New York Times Sunday Review, “Can You Be a Waitress and a Feminist?,” Brittany Bronson writes, “This week I will be sexually harassed on the job, like many women in the Las Vegas service industry, I will count my tips at the end of my shift and decide that it’s worth it.” Waiters and waitresses are taught to desensitize themselves to what occurs, to end their shift and tell themselves it doesn’t matter. This video works to highlight the fact that it does matter. That the people bringing you your drink should not defined by their appearance, by their tone of voice, by their sexual orientation or race, and where it all stems down from, their job. 





Distribution 


Facebook

BuzzFeed
As Well as Submission to Community Post


Instagram
As well as a Submission to Popular Instagram @ServerLife
Twitter
-Also Submitted to Restaurant Opportunities Centers United


Some Not Fun Facts (To Leave a Bad Taste In Your Mouth)
-Full-Time Female Servers make up 71% of Nation’s Service Industry (Earn 68% of what Male Serves Earn)
-Nearly 37% of all sexual harassment charges filed to the Equal Employment Opportunity Commission are from the Restaurant Industry
-90% of women in the restaurant industry report experiencing some form of sexual harassment while on the job
-Over half of women in the service industry report experiencing sexual harassment on a weekly basis 
-Both explicit and implicit discrimination pervade the restaurant industry, producing visible occupational segregation of inequality for workers of color and women (Restaurant Opportunities Centers United).  


Links


Works Cited 

Bronson, Brittany. Can you be a Waitress and a Feminist? New York Times Review. 17 Apr. 2015. Web. 12 Dec 2015. 

Dupere, Katie. Tipping your server makes sexism worse, whether you intend to or not. Mashable. 24 Aug. 2015. Web. 12 Dec. 2015.

Gorelick, Carly. Sexism & Serving: How I reconcile being both a waitress and a feminist. Iris Magazine : for thinking young women. 21 Sept. 2015. Web. 12 Dec. 2015.

Kesler, Jennifer. Waiting tables: a great example of sexism. The Hathor Legacy. 9 Nov 2010. Web. 12 Dec. 2015

O’Connor, Ema. 9 Appalling Stories of Everyday Sexism, As in the Service Industry. Buzzfeed News. 23 Mar. 2015. Web. 12 Dec. 2015.

“One Fair Wage.” Restaurant Opportunities Centers United. n.p., n.d. Web. 12 Dec. 2015.

Stevens, Jean. New York Restaurant Workers Face Lower Tips, Still Not Enough Wages. RH Reality Check. 11 Mar. 2015. Web. 12 Dec. 2015. 


Final Project: Black Hair

 


Introduction
          Throughout this semester we have been exploring various themes that relate to patriarchy, race, gender and how these themes shape our lives. This class has informed me on the various ways that my identity, as a black woman, is shaped through media. Most media that seek to show women of color do not have positive images of these women, or there is an absence of women of color in general. They often play up harmful stereotypes that are detrimental to forming a healthy identity. It is for this that I have decided to center my final project on representation black women.
The themes of representation, power, and agency have been discussed to great lengths in this class as a means to combat the injustice of patriarchy. It is with these ideas in mind that I managed to make my final project—a non-linear narrative documenting the experience of black hair in America. Two sources that further informed my final project were the Oppositional Gaze by Bell Hooks and A Single Story, a speech given by Chimamanda Ngozi Adichie. Both served as fuel for my project.

Purpose of Project
          This project is meant to create positive representation, power, and agency for black girls and women. This project is meant to encourage discussion and active critical thinking of images and ideas concerning black women, their appearances, and how media portrays black women. In Black Hair you, the reader, will get to explore misconceptions concerning natural hair and hair care in the black community which are often mocked or looked down upon in our society.  I hope you have a wonderful time and learn as much as you can from this book. I also hope that you will enjoy and participate fully in the questions that will be posed to you later on in Black Hair.   


Project Process

    My project, Black Hair, was initially a children’s book that focused on a little girl with natural hair. It is close to show and tell, and she cannot find anything special to show. She doesn’t feel special at all. However, with some encouragement from her mother, she comes to the conclusion that the object is not what is special but the meaning and story behind it. She chooses to “show" her hair. Some people agree and disagree that it is something special, but she insists that it is and invites the reader to share something special about themselves.
Much like Zendaya my charater was 
supposed to "dismiss" the negative  narratives surrounding
her  appearance and   uplift her narrative.
             I was attached to this idea for a while. However as the semester progressed I felt that I needed to push my work further. I feel that the ideas of power, representation and agency were addressed in this first attempt (the children’s book). In terms of power the girl was able to overcome herself self-depreciation. In terms of agency, she is able advocate for herself and the narrative of her choosing. Lastly, in terms of representation, she as a little black girl encourages other black girls love their hair and be vocal about the things they love. All three themes are further addressed and put into action when the reader participates in the show and tell.
Zendaya has been a very vocal and
positive role model for girls--especially
black girls.
             I was content with this outline at first. However, after getting some feedback from various people I decide to change the way my project spread its message. I still focus on black hair, but now you (the reader) are the main character, and you can choose how your story progresses. Depending on what you choose the situation changes. You are given information that is meant to challenge pervasive perceptions of black women and their appearances, and you have to opportunity of to assert your ideas and opinions.  The theme of representation is further extrapolated upon when you are invited to create your own character (you can draw your own or or even use ). As your story line comes to an end you can further participate in the by writing about your hair experience, how this book has helped change your perception of black hair and so on. By constructing this novel this way would produce more discussion (and action) concerning black women and their representation. I hope to address this topic more so in the future.



Distribution

             In order to get this known publicly I have made it known on several social media platforms such as Instagram and Facebook, and a digital copy is on yumpu.com. Instagram was used for promotion. There is also link to a pdf on my website that will become a web based project to be launched on Dec. 22.


Works Cited
"Chimamanda Ngozi Adichie: The Danger of a Single Story | TED Talk | TED.com." TED: Ideas Worth Spreading. N.p., n.d. Web. 15 Dec. 2015. <https://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story?language=en>.
"Elizabeth Acevedo - "Hair"." YouTube. N.p., n.d. Web. 15 Dec. 2015. <https://www.youtube.com/watch?v=0svS78Nw_yY>.
"A Girl Like Me." YouTube. N.p., n.d. Web. 15 Dec. 2015. <https://www.youtube.com/watch?v=YWyI77Yh1Gg>.
Harris-Perry, Melissa V. Sister Citizen: Shame, Stereotypes, and Black Women in America. New Haven: Yale UP, 2011. Print.
Hooks, Bell. Black Looks: Race and Representation. Boston: South End Press, 1992. Print.
"Melissa Harris Perry- How Black Hair Matters." YouTube. N.p., n.d. Web. 15 Dec. 2015. <https://www.youtube.com/watch?v=cBAObetZed8>.
Mulvey, Laura. Visual and Other Pleasures. Bloomington: Indiana UP, 1989. Print.

Thursday, December 10, 2015

Final Project

For my final project I wanted to attempt to marry one of my interests with what we've learned and discussed this semester. I chose to focus on comedy, particularly improv. I have been doing improv at UCB (Upright Citizens Brigade) since February 2014. While I am still a student at the theatre, I perform on an indie team called Clutch. We've been together for just over a year, and we perform all around the city. Through Clutch, I've been able to meet some incredible performers (male and female). But this project focuses solely on the female performers.
 
My teammate Alli's video

Recently there's been a lot of coverage on "Women in Comedy". Some herald this time as unprecedented, some say it's undeserved, and some say it's always been here and the recent reporting on it sucks. My personal stance on it remains a bit mixed. On the one hand, it's great to see more reporting on female voices, but on the other hand they've always been here and it's kind of annoying that important female voices have been ignored for so long (or worse still they aren't seen on the same field as men in comedy). Women are funny, and they don't need genre films or labels like "comedianne" to further divide them from their male counterparts. With this attitude in mind, I set out to interview my teammates and figure out what they thought about all this.

My interviews are very conversational and I kept the editing very simple and restrained. I set out to talk about origins, the role of the gender binary, hopes and dreams for the future, and current reflections on the state of comedy now. The interviews are broken down into smaller pieces so that the viewer can decide what they'd like to learn more about. There's always room to for more, so I kept my interviews open ended; I plan to continue them in the future. Below I've included part one of Alli's interview. The rest can be found on Youtube.

Sources: Butler, Judith. Gender Trouble. Class reading.
              Fey, Tina. Bossypants. Book.
              Hitchens, Christopher. "Why Women Still Don't Get It". Vanity Fair.
              Kang, Inkoo. "...The Summer of Female Comedies". Vanity Fair.
              Koester, Megan. "Why It Sucks to Be a Woman in Comedy". Vice.
              Lamont, Tom. "Maya Rudolph: 'I'm not a woman in comedy, I'm a comedian'.
              The Guardian.
              Poehler, Amy. Yes Please. Book.
              Tales From the Darkside. NYWIFT Event.
              Women Aren't Funny. Film.
              Women Who Kill. Film.
         
     

Wednesday, December 9, 2015

The Female Body Image - Post 4

Growing up in a mostly conservative culture, women were almost an indicator of how "pious" a family or a neighborhood was. Questions such as: do most women cover up, how much do they cover up, and do they hang out with non-relative male companions - were subtle ideologies that were used to identify level of piety and religious practice among a community. Notice here, it was only females. Men on the other hand either perpetuated this ideology, relying on religious text, or assumed authority roles by judging, or otherwise catcalling "less-covered" women, because women were clearly asking for it. In Women And Media in the Middle East, Naomi Sakr explains that "[In the Middle East], the female has generally been invested with the task of being the moral gauge in society. The female's role thus goes beyond symbolizing the morals of the family and also become that of bearing the nation's values" (Sakr, 73). While I look back and realize how judgmental and female-objectifying these notions were, what I find most interesting is how I bought into them. I considered these questions fair and reasonable to ask, without fully comprehending what patriarchy, privilege, and sexism were.

It hasn't always been like that in some areas of the Middle East; in fact, policing of women's bodies, including determining what they should and shouldn't wear, heavily relied on the the ruling government at that time. Similar to Feminism and the Early Abortion Rights Movement, Marlene Gerber Fried, describes Redstockings, a radical feminist organization, "[that] intended to challenge a cultural and political structure that excluded [female] voices and opinions, particularly on topics that concerned women centrally," so too where independent parties rallying against the government (Fried, 21). In a rare video footage, dating back to 1958, Egyptian president Gamal Abdel Nasser responds to a request made by a Muslim Brotherhood leader to mandate the wearing of the Hijab upon all women in order to have the Muslim Brotherhood cooperate with the government. His response was both timely and direly needed to call out the nonsense of such a request: 


"In the year 1953, we really wanted to compromise with the Muslim Brotherhood, if they were willing to be reasonable...I met the head of the Muslim Brotherhood and he sat with me and made his requests. 

So, what did he say?

The first thing he asked for, was to make wearing a hijab mandatory in Egypt and demand that every woman walking in the street wear a Tarha (scarf).

[laughs]

Every.Walking.Women.

A man in the audience shouts: 'Let him wear it.'

[laughs]

And I told him, if I make that a law they will say that we have returned to the days of Al-Hakim bi-AmrAllah, who forbade people from walking at day and only allowed walking at night. And, my opinion is that every person in his own house decides for himself the rules. 

He replied, 'No, as the leader, you are responsible.'

I told him, 'Sir, you have a daughter in Medical School, and she's not wearing a Tarha. Why didn't you make her wear a Tarha. If you are unable to make one girl--who's your daughter--wear the Tarha, you want me to put a Tarha on 10 million women?'"

Hijab will continue to become a controversial topic, for no specific reason. Covering or not covering, as a choice, is still a heated debate in this day and age. Take for example this interview discussing the ban of the face viel, or Niqqab, in France. Or, the aggression this woman, who happens to be the mother of a terror victim, received for simply choosing to wear an extra article of clothing. Choices of what to do with one's body and how to present one's self should be a universal right of every woman. It should not be subject to legislation or public opinion. 



When conducting research on how women's body images are presented in entertainment nowadays in the Middle East, it was interesting to find a variation of accounts. While I assumed an increase in the objectification of female figures, I found out that opposite and equally (if not more) successful music hits included more honorary terms and high status of women. For example, Saad Lamjarred's LM3ALLEM, which had over 200 million views on YouTube, included lyrics that spoke of his beloved as "boss," and "from you we learn." While clearly a humorous music clip, it does not employ women to show their body in a derogatory and objectifying manner.

Works Cited

Sakr, Naomi. Women and Media in the Middle East: Power Through Self Expression. N.p.: I.B. Tauris, 2004. Print.

Fried, Marlene Gerber. From Abortion to Reproductive Freedom: Transforming a Movement. Boston: South End, 1990. Print.